Development Of Booklet

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I started to include the films to see how they look when showcased, I’m really happy with the finished layout because it doesn’t look busy, just conveying lots of information in a simple form.

4)

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3)

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2)

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1)

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I created for experimental layouts with the opening gala page, I asked my peers to vote which one was more appropriate and most of the class liked the second layout because

 

 

IMAGES, HEADER & PRICE POSITIONING

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BOOK TAB

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Having the markers as the same colour as the headers would convey a navigation, For example If the reader wanted to read a specific page they search for the colour in the content and find the colour tab that matches it.

 

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During development

 

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The development of the welcome page wasn’t as difficult as the others as this page had less information on it, I tried three different designs that I preferred out of my sketchbook. even though I like the geometric design aspect it didn’t look appropriate for the mood and tone that I wanted to convey. The Middle image is the design I will use for my final booklet I believe it conveys a simple and fresh design and similar to the last previous programmes and makes sence that the ‘welcome’ header is placed at the top as it feels like an introduction.

 

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For the Typefaces that I have chosen: Open Sans, Cooper Hewitt and Gill Sans, I have chosen these typefaces as they look more fresh and modern and easy to read which is important when conveying information. Furthermore they all come in lots of different weights which is helpful when conveying hierarchy of text. However the typeface I believe is more appropriate is Open Sans because it feels and looks more friendly than the others, even though Cooper Hewitt was close I felt it was a bit too thin and tall to be a body text.

 

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HARVARD REFERENCING

Swann, A. (1990). Layout source book. Secaucus, N.J: Wellflett Pr.

Rowland, A. (1997). Bauhaus source book. London: Grange Books.

Poynor, R. (2013). No more rules. London: Laurence King.

GraphicMama Blog. (2019). Top Graphic Design Trends 2018: The Ultimate Guide. [online] Available at: https://graphicmama.com/blog/graphic-design-trends-2018/ [Accessed 26 Jun. 2019]. (GraphicMama Blog, 2019)

Venngage. (2019). The 8 Biggest Graphic Design Trends That Will Dominate 2019 [Infographic] – Venngage. [online] Available at: https://venngage.com/blog/graphic-design-trends/ [Accessed 26 Jun. 2019].

Twyman, H. (2019). Anchor logos. [online] Pinterest. Available at: https://www.pinterest.co.uk/hsftwyman/anchor-logos/ [Accessed 26 Jun. 2019].

Twyman, H. (2019). Swiss design. [online] Pinterest. Available at: https://www.pinterest.co.uk/hsftwyman/swiss-design/ [Accessed 26 Jun. 2019].

Twyman, H. (2019). Festival posters. [online] Pinterest. Available at: https://www.pinterest.co.uk/hsftwyman/festival-posters/ [Accessed 26 Jun. 2019].

Twyman, H. (2019). Booklet Layout. [online] Pinterest. Available at: https://www.pinterest.co.uk/hsftwyman/booklet-layout/ [Accessed 26 Jun. 2019].

Twyman, H. (2019). Saul Bass. [online] Pinterest. Available at: https://www.pinterest.co.uk/hsftwyman/saul-bass/ [Accessed 26 Jun. 2019].

E-Mails from/to Sylvie Bolioli (Client)

 

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Thursday, April 4th 2019 (First Meeting with Sylvie Bolioli)

The meeting went really well, She gave me the last previous programmes to give me for inspiration and an idea of how the structure is used. She wanted a different colour scheme for this and a brand new logo for the re-branding of the film festival for next year and other additional pages needed for the programme.

 

 

Monday, 29th April 2019 (Second Meeting with Sylvie Bolioli)

I met up with Sylvie for an update on the programme. She was very happy with the layout and colour scheme, the only change she wanted was to not use the film images for the shorts, This to create more room for information and to have 6 films on one page. She explained that the reason for this was to keep printing prices down. She also e-mailed me the cover that won the competition and will be used for the cover for the programme.